A work generated through the practice of ‘Walking in the City”. Inspired by the traces that time brought to Glasgow city. The invisibility of time, but tangibly marked and left behind in the corners of the city…

By presenting the process and techniques of painting-folding paper to leave traces of time in different stages, representing an accumulation and changing of time and the erosion of the water represents the wearing away of time.

In addition, this work also implies my early stage in the exploration of the relationship between time, space and the formation of images.

Untitled Painting

Ink and Rice paper, 
Oct 2022, 97cm*192.5cm












This work represents my first exploration of sound and visual synesthesia, which the visual image of catching the raindrops reminds the viewer the sound of rain， creating an interaction with our other senses. It is still a representation of a natural phenomenon, but artificialised by applying the ink mark on the paper.

Reflecting a mechanised relationship between human control and the laws of nature.

Catch the sound of rain

Ink on rice paper and rain, Oct 2022, 95.5cm*46.1cm










This work illustrates a straightforward relationship between natural control and human manipulation.

The fluidity creates a flowing image, as liquid ink evaporates over time, leaving its marks behind.

The transformation of porcelain from its pliable, moldable state to hardened ceramic after firing encapsulates a compelling combination between softness and rigidity. Subtle hand imprints, the tangible warmth exchanged between the artist’s hands and the porcelain, the smooth texture juxtaposed with the strength applied, and the rough fingerprints smoothed against the polished surface—all contribute to this dynamic.

The tactile interaction with porcelain evokes a physical unconsciousness, manifesting perception through form. A finite shape gives rise to infinite traces and imaginative possibilities.

Untitled Painting



Mar 2023, 
42cm*27cm*4.5cm
Porcelain, Ink, Water












This work presents a naturally flowing visual language, explores the relationship between the mechanical structure and nature, aiming to bring awareness to the constructed human society from returning to nature. Highlighting the contrast between manmade(the chemical reactions of glaze, iron nails.../constructed system) and organic (natural material and physical rules-rope absorbing ink to transport ink to the other components from the container, ink flowing by gravity). The primary material is porcelain, with an emphasis on the fluid and layered characteristics of fluid glazes combines with underglaze techniques. The upper layer of ink enhance the visual impact of the changes and flows within this system through ropes and porcelain surface, creating unique texture effects.

The inspiration comes from studying The Spectacle of Society and The Language of Landscape, exploring the relationship between nature and its shaping influences, constructed meanings from society.


The Spectacle of Landscape


Mixed Media,
Sep 2024,
Dimensions Variable,












Fluid Painting Series 
The changing space on the painting surface creates flowing images,

The changing direction of gravity forms the chaos of flowing drips;

The layering of colours with their length of the light waves disrupts the orderly hierarchy of the image, recomposing a new visual order and disturbing the vision straight to the eyes;

The structure of the radiant out from the centre creates certain imaginary landscapes; the encircling images and the stagnant drips that stopped in a certain place may become signals of the vision of time.

The faint glow of the glittering blue gives an ambiguous visual illusion, while the texture and the properties of the medium superimpose an additional layer of language over the image, so that the painting is gilded with unclear possibilities, perhaps it can become projections of the individual psyche, associations of memories.

Or maybe it will become some personal interpretation, as if the cracks and fragility in the painting become meanings linked with some impressions of art.

The Loop

Mixed Media on Canvas,
In Chicago,
Dec 2023,
 97cm*110cm










Fluid Painting Series 02
This painting is created on a canvas using an experimental mixture of plaster and acrylic, shaping the canvas to divide the space. One half is chaotic, while the other half is more muted, with the raised sections flowing down to pass through both ends. The work is full of perceptual interaction, blending ambiguous body perception (researched from Merleau-Ponty phenomenology of perception) with conscious space, merging the known and unknown. Depending on viewer ‘ s own experience and associations, one may read it as a body, a natural landscape, or even a completely abstract image of consciousness.

Untitled Painting


Mixed Media on Canvas.
Dec 2023,
93.5cm*41cm*4.5cm













Untitled,

Dec 2022,
43.5cm*67cm*13.5cm









Untitled Painting

 Dec 2022,
 60cm*90cm